景观视频课程

罗马天主教堂

娱乐建筑 2020/1/27 13:35:21 © 作品由雷火电竞竞猜官网上传,最终解释权归作者所有 雷火电竞竞猜官网
罗马天主教堂

Roman Catolic Church

位置:匈牙利

分类:公共设施

内容:实景照片

图片来源:József Hajdú

建筑设计:Tamás Nagy

项目规模:1340平方米

图片:12张

摄影师:József Hajdú

罗马天主教堂第1张图片

该建筑有三大要素:教堂、教区和社区住房,住房围绕样方式的庭院而建。庭院将建成花园,种上花草树木,中间还有喷泉,就像以前的修道院一样。建筑的风格比较复古,庭院的四周用的是窗格栅栏,向人们传达的信息就是:这里是开放的,欢迎进来。花园建成的话,喷泉的水会流到湖里。建筑的内部和外部是紧密相连的。建筑结构上比较有象征意义,玻璃走廊沿着庭院修建,延伸至社区。居民区的房子和教区的办公场所相连,构成一个U形。

教堂的中心区为圣坛,庭院周围有三个侧翼,这样一来,U形的走廊也围绕着圣坛。圣坛那里是教堂东面的拱顶建筑,从外观上到色调上,都和其他区间与众不同。窗户很有设计特色,有63种颜色。荷兰的Alexander Skrjabin做过分析研究,并创建了一个矩阵,让每一个记号对应一种颜色。于是,设计师采用了这种方法设计窗户,在一位名叫Kyrie的人做祷告时,把格列高利调式圣歌的旋律写在窗子上,出乎意料的是,当外面没什么阳光时,玻璃窗依旧很明亮。

每个人的审美不同,有的人会觉得教堂的颜色很纯,有的人则会认为很奇怪。根据每天光线的变化,教堂会呈现忽明忽暗的效果,但是教堂的圣体永远是引人瞩目的。教堂附近还有附属教堂,窗户是透明的,是静心祈祷的地方。20世纪的时候,非常流行不带钟楼的教堂,这座教堂应该是21世纪的匈牙利,乃至欧洲的建筑新开端,发扬福音传道。希望这座7层高的罗马天主教建筑能成为现代建筑的象征和标志。

译者: Odette

From the architect. The three elements of the building – the church, the parish and the community house – surround a regular quadrat-shaped courtyard. The courtyard will be soon a garden with trees and flowers and with a fountain in the middle. As long ago in the monasteries.

Because the model comes from there. The difference is that this courtyard is opened in its fourth side – it is bordered only by a tracery fence – and this is an important message to the World: come in, we are open. If once the park is finished as well, the water of the fountain will flow as a vein to there and swell into a lake. This movement strengthens the previous idea: the connection between inside and outside is relevant.

The system of the service seems emblematic: the glassed corridors lead along the courtyard and broaden to a forefront in front of the community area. The certain functions as the resident and office part of the parish, the rooms of the community house and the space of the church are strung into this ?U” shaped system.The central space of the church is oriented to the apse. As the three building wings surround the courtyard, so the ?U”-shaped gallery does surround the apse, the main central point of the building. The apse, the only arc in the house differs not only by its form from the other elements, but by its colour as well.

The 63 colour glass window contain a hidden message. As the result of the dutch componist Alexander Skrjabin’s research he created a matrix, in which every single note matches to a single colour. Applied this note-colour code I wrote the gregorian tune of our prayer Kyrie eleison to the windows of the arc wall. It is a non-designed surprise that the colour glass windows are even burning when the sun does not shine outside.The colour world of the church – perhaps too pure and strange for some – is to strengthen this exaltation. Depending on the time of the day the space of the church is swimming in light stream or dawning in dusk, but the place of the eucharisty remains at the centre of our attention.

The chapel next to the church is purposely simpler, with its transparent windows I tried to support one’s inside-turning. It will be hopefully a space of the calm prayer. And at the end about the tower. Building a church without a tower was stylish in the modern sacral architecture of the 20th century. I think the church should be a sign at the beginning of the 21st century in Hungary, in Europe, where the evangelism seems to be needed. I hope that the seven-storeyed tower of the Roman Catholic Church of G?d?ll will be the symbol of the presence.

罗马天主教堂外观图-罗马天主教堂第2张图片

罗马天主教堂外观图

罗马天主教堂外观图-罗马天主教堂第3张图片

罗马天主教堂外观图

罗马天主教堂内部局部图-罗马天主教堂第4张图片

罗马天主教堂内部局部图

罗马天主教堂内部局部图-罗马天主教堂第5张图片

罗马天主教堂内部局部图

罗马天主教堂内部局部图-罗马天主教堂第6张图片

罗马天主教堂内部局部图

罗马天主教堂-罗马天主教堂第7张图片

罗马天主教堂

罗马天主教堂-罗马天主教堂第8张图片

罗马天主教堂

罗马天主教堂模型图-罗马天主教堂第9张图片

罗马天主教堂模型图

罗马天主教堂模型图-罗马天主教堂第10张图片

罗马天主教堂模型图

罗马天主教堂图解-罗马天主教堂第11张图片

罗马天主教堂图解

罗马天主教堂图解-罗马天主教堂第12张图片

罗马天主教堂图解

罗马天主教堂外观图

罗马天主教堂外观图

罗马天主教堂内部局部图

罗马天主教堂内部局部图

罗马天主教堂内部局部图

罗马天主教堂

罗马天主教堂

罗马天主教堂模型图

罗马天主教堂模型图

罗马天主教堂图解

罗马天主教堂图解

本文由 雷火电竞竞猜官网 原创,禁止匿名转载,禁止商业使用,最终解释权归作者所有
顶一下 推荐本文上首页

全部评论

上一页 ---- 下一页
罗马天主教堂
XML 地图 | Sitemap 地图